Sunday, March 21, 2010

Amman, do not judge a book by its cover


Hearing that I would go to Amman, many warned that it would be uber-boring, and that there is nothing to see there. Seeing buildings with perfect limestone façades, no higher than four floors, and hearing no noise, I freaked out, I was going to be stuck in this city for ten whole days ...

I was lucky to meet and reconnect with people who took me around the city, Amman is now on my list of my favorite cities.

The soundtrack to the trip was the voice of Makadi Nahas whom I was lucky to catch in concert at Courtyard a lounge hidden in the lovely Shmeisani district where my friend lives.

In the horizon the mountain neighbourhoods have little two storey limestone houses with gardens, and you could see their lights twinkling from the terrace of Books@cafe or simply Books as Ammanis call it, a bookstore, lounge, bar, cafe mix, 70s wall art, a relaxed artsy crowd, lots of scarves and curls, chairs with different but matching colors, a jazzist and her microphone on the lounge wall, just my kind of place!

Books is off Rainbow street where all the hip-spots are and that may be the only street where cool spots are concentrated, and I didn't mind that. The beauty of Amman is in its mystery, the coolest hangouts are hidden away in residential neighbourhoods, and fancy restaurants look like houses from the outside and are as welcoming when you go in (Levant, Romero, Fakhr El Din).

Even art centers are hidden in the mountains and one feels as if intruding on someone's private art collection in their home, that's exactly how I felt when I knocked on the doors of Darat Al Funun.

I have to admit that I freaked out on the first day when I couldn't find an arts and culture guide, and now I can say I am happy I worked for it, I am happy I only knew when I asked around, only then I knew that 7iber (Ink) is the reference.

I loved the views from the benches at Rainbow streets which reminded me of miradores in Spain, designated points in the city to get a bird's eye view. I even enjoyed the down town kitsch cafe-bars, which had only male customers and are now attracting the intellectual hippie crowd, I know they will very soon become Amman's equivalent of Horreya in down town Cairo. I also found Jazz, so I cannot complain, Cafe de Paris had unique gigs, night after night.

As for old Amman, my friends have transmitted their nostalgia to me, I can tell stories of Jabal Natheef and Jabal Luweibdeh, of the neighbours in the harras, and of the old jasmine tree.

When I remember Amman, I remember fresh pine scented air, rain on my coat, trying to find my way to Wild Jordan, and the lady at the fruit shop who gave me a banana and wished me a lovely day.

Photo: Church in beautiful Luweibdeh, near Luzmilla hospital (the first picture I take in 2 years)


Wednesday, January 27, 2010

Urban Tribes

Previously I had blogged about Identity, quoting Amin Maalouf, one of the authors I really admire.
A couple of days ago, I realized more than ever that even those of us who
broke the traditional molds (as we say in Arabic) need to belong, maybe to a group of different people each "freaky" in their own way, all wandering away from the herd but in different directions.

I was always questioning if Urban Tribes were born from this need to belong.
Here is a documentary produced by my alma mater, UC3M about Urban Tribe, you can watch it on YouTube (part1, part2).

Let me know what you think of all this.

Tuesday, January 19, 2010

My shortest trip to Lisbon

More often than not, we'd like to travel to more places than our time and dime would allow, today I found that one can take a 2 hour 30$ trip to Portugal.
Tonight Mariza the great took us from the Cairo Opera House to Lisboa and back, through the taverns of Mouraria where the Fado was born, and on-board a yellow furnicular up the hill to Alfama where it met Jazz and Coladeras. Luring us with a white rose and her graceful moves to sit and listen to the sad tales of sailors long gone and of lovers waiting in vain. Songs filled with Saudade, nostalgia to the homeland. Telling stories of her childhood and of other artists who sang for Portugal, Mariza made every note matter. Every tune a candy along the trail leading to the mournful Fado trap, o meu fado meu...My foot slipped, I who have escaped the sad tunes in Lisboa, saw the city again, in its blue hand painted tiles, and its rain-washed streets, I didn't run from Fado this time, I sat quietly and listened by the Tejo river with my wine glass full of teardrops* waiting for the boat to cross to the other side. Here's to Mariza, for no one I know can turn a concert hall with 1200 people into a sitting room with a fireplace, and no one I know can keep the power of their voice intact when they kneel down on the floor at the end of a sad song. Photo: Off to the Sea, Monument to the Discoveries in Lisbon. Notes: *Yes, Port Wine is called lágrimas, literally teardrops More about Portugal: You can read about my trips to Portugal here More about the concert: Chitra Kalyani's article, Daily News Egypt Mohamed Radwan's article, Al Masry Al Youm 3 days after the concert: I'm listening to Rosa Branca, over and over, after reading the above article I realize that I was right about its strong flamenco influence, this is how I felt like dancing when I listened to it (saudade for Spain (sigh)) So, still ain't a Fado person, but now a Mariza fan, any vocalist in their right mind should watch her to learn about perfection, passion and projection (speaking of that after seeing her down on her knees, I thought I should never dare to sing out loud again, but I will seek perfection, I promise)

Wednesday, December 30, 2009

2 years in the balcony

Looking through my Bookmark collection* I realized there are still many more travels that I have not written about, I promise to refresh my memory and do that. Also, 2010, the first half, brings trips in my region, Arab World, which I barely know, soooo I will keep you posted :)





*I collect bookmarks as they're light, non-breakable, practical and cheap when one's backpacking
photo: bookmark from Gandhi, the funniest set of bookmarks I ever got were from this library in Mexico (a place I have yet to see).





Happy new year to all!

Monday, November 9, 2009

Now we're cooking


A rerun of one of my fav posts, as I´m watching the movie Julie and Julia, a culinary delight.
"Chocolate cream pie! You know what I love about cooking? I love that after a day when nothing is sure and when I say nothing, I mean nothing. You can come home and absolutely know that if you add egg yolks to chocolate and sugar and milk, it will get thick. That's such a comfort."
Tomorrow I will cook.
-----------------------------------------

I brought back from Panaji a beautiful hand carved wooden box decorated with flowers and smelling of spices. Inside the box lay perfect bay leaves, cardamom seeds, cloves, cinnamon sticks and a couple more Indian spices of which I cannot recall the name. Examining the ingredients I decide: perfect for chicken Curry and saffron rice.


As I dissolve saffron in boiling water (hot tap water won't do, attention to detail makes all the difference when you cook) I remember my friend in Alicante who gave me this jar so I could cook Fideuà, a Valencian specialty which imitated Paella only to beat it. I also remember how we got the recipe from a notebook decorated with the most beautiful retro cut outs and filled with recipes in swirly handwriting. "Recetas de la mama mía" was my friend's wedding gift from her mom. That day we didn't cook Fideuà, we cooked vegetarian pasta with herbs, to celebrate my favorite couple's moving to the country side and growing cilantro in their own garden.

As I savor the curry marinade after adding a bit of garam masala (literally hot spice) I can't help but feel sorry for those with low tolerance for spicy food. It is amazing how different cultures mix similar spices to create completely different feelings, I find myself remembering Mexican spices, for no good reason at all. I just wish I could stock up on Salsa Valentina, the local brand of hot sauce and then add it to pizza like we used to do at my Mexican friends' kitchens.

Once you've tasted a nation's food you immediately feel a sort of kinship (that's if you get to like it), and when you go there you're less of a khawaga or guiri* (it also helps get a bit of a conversation going round the dinner table). Having cooked Patacones in Madrid with a dear friend from Colombia, mashing the plantains and then frying and refrying them, I find myself feeling a sort of familiarity with Bogotá while still on the plane (mind you, none of Patacones I ate in Bogotá would compare to the ones we used to cook. Tasting Okra a l'Indienne and asking a dinner companion for the recipe I find myself familiar with the spices she lists, having seen them in action in the kitchen I shared with a friend from Trinidad and Tobago of Indian origins (only the best ingredients shipped from the homeland for us, none of the supermarket stuff). I also know that I don't need to set foot in a restaurant when I go to Mexico, as I have helped cook tamales and dined in a zillion Mexican restaurants with my favorite pal in Madrid (the one in Chueca has a green volkswagen zooming in from the ceiling replicating a taxi in the streets of Mexico city). I also recall two colleagues bonding over lobsters in India, oh Goan seafood prepared Portuguese style is just undescribable1

As recipes are passed from generation to generation, people preserve a sense of belonging to a distant land of origin where they have never set foot. Till this day, my grandmas cook Harira and Sharkaseya, reminiscent of Moroccan and Turkish roots and my friend's grandmother has Matzah always ready for Passover.

It is a fact that food unites. Friends would tell tales of meeting fellow expats mainly to share festivities, I can relate. The first Ramadan I spent away from home, I had just landed in town and had no kitchen of my own, luckily I was adopted by a bunch of Egyptian friends and fed Mulukhiya (if only airport authorities knew the amount of the serious smuggling that takes place everywhere around the globe). Smuggling indeed makes you take a bit of home with you, that's what my Tunisian friend did when he brought a good stock of harisa for the weeks we spent studying in Toledo.

I tend to think of cooking as a hobby**, creative cooking is not something I can do often, and cooking for hungry individuals on a daily basis even less. Cooking is supposed to be fun that's what I always say.

Cooking with friends entails laughing over fiascoes and sharing the sweet content of a well prepared meal, then dodging the task of preparing coffee or tea (depending on where you are) after the meal.

One of my clearest memories is going to the premiere of Ratatouille with my roomies and bringing back a poster of the Little Chef -which is still on the kitchen door till this day (the kitchen that is no longer mine in a house I still call my own). The next weekend we invited friends over for an elaborate dinner. There was some dude to impress and he was impressed - I hope I don't get killed over disclosing this one my friend!

I guess I'll never forget the endless international cooking days with my dearest friends in Madrid; ill equipped kitchens would not stop us, it just took challenging one of the guys to whisk the batter to give an electric mixer effect with only a manual whip (throwing in a couple of lines on not exercising enough helped too).

I also smile when I remember Wednesday evenings in Cairo at my friend's place and her baby daughter; while we chopped veggies she played drums with a wooden spoon and a cooking pot.

I add to my cooking memories, all the times my friend and I sang Luis Miguel in a kitchen; first in our dorm's kitchen in Toledo, then at her place when I went to visit in Morocco, the Cairo edition is due this summer inshaa'Allah (Luis Miguel would better be proud of us).

When I travel I always take a look beyond the buildings, the contemporary culture and the socio-economics of the country are usually more interesting for me. The way dishes are served and the table is cleared tells you a lot about the culture.

Mediterraneans tend to share mezzah or tappas and would also share salads, while others don't share dishes at all. At one end of the continuum, some cultures serve individual plates in the kitchen and send them out to the dinning room (sort of too bland for my taste) , and others eat from the same serving dish or fuente (memories of Morocco and the delicious Tagines come to mind), in the middle would be serving the main dish on the dinning table and having seconds and asking people to try this and that and that.

You can also find an indicator if you observe who clears the table and does the dishes. In some culture it's the host or just the women, in others it's the ones who didn't cook, in some plastic plates and cutlery are just thrown away (we love mother earth), and in many the dishwasher deprives those who would have washed the dishes from the greatest post-meal gossip.

Needless to say, in most societies suffering of large income gaps, affordable catering and delivery services (I'll never forget the expression at my friend's face when she saw the Mc Donald's motorcycles in Cairo, I totally related when I saw all the "a domicilio" signs in Latin America) and and other people relieve you of it all: cooking, setting the table and clearing the table.

Keep cooking and smile while you do, for it makes all the difference.

----------------
*Egyptian and Spanish slang for "foreigner"
** Apologies to those who think cooking is a chore

Photo:
Changed this time to Carrot Cake by my friend Sweets Ninja

For recipes and more cooking flicks and and lit check the original post.

Thursday, October 22, 2009

tips on Barcelona


this comes with no story, just some recommendations:

  • · If you have time to see only one Gaudi then you should go to Casa Batllo, address: Passeig de Gràcia 43, L'Eixample - Description: http://www.barcelona-tourist-guide.com/icon/metro.gifMetro "Passeig de Gràcia" (L3), Parque Guell is also worth a try
  • · The Palau de la Musica Catalana, a nationalistic Palais de la Musique, carved flowers everywhere and excellent sound distribution , an homage to operas (maybe the Opera is there?) Description: http://www.barcelona-tourist-guide.com/icon/metro.gifMetro Urquinaona (L1)
  • · Dinner at the port, you'll see a wooden bridge and then a mall, in front of the mall, by the sea is the most exquisite restaurant called "Elx" they have a great dish called Fideua, that's a dish traditional of Alicante and the whole Valencia region, all fish and sea food at this place is great anyways (address: Maremagnum, Local 9. Moll d'Espanya 5, if you want to reserve but I don't think you'll need to 93 225 81 17)
  • · wander at night and go into any bar at Barri Gòtic , it's full of tiny bistros all with different colors and hidden behind big doors and curtains (yes curtains), you get there from Las Ramblas (that's where all the buskers and kiosks are) passing through Plaza Real (you get to see a typical Spanish main square)
  • · Shopping, up Avenida Diagonal till Plaça de Catalunya, which basically going up the Ramblas, if you go the big Corte Ingles store (don't buy there) you'll love the square it's chic with lights at night. Up there is FNAC the absolute place for music and books.
  • · artistic cinema at Gracia the Boho district
  • · whatever you do, don't watch flamenco in Barcelona

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Monday, October 12, 2009

Cracking the egg

“With their tinted windows up, the cars of the rich go like dark eggs down the roads of Delhi. Every now and then, an egg will crack open - a woman's hand, dazzling with gold bangles, stretches out of an open window, flings an empty mineral water bottle onto the road - and then the window goes up, and the egg is resealed.” Balram the driver, a.k.a the White Tiger.


Many of us live in Cairo in eggs, car windows rolled up, AC on, music muting the sounds coming from outside. It's a polluted city? Didn't even notice. No one inhaled the fumes nor got eye allergies, why should they care?

and those outside the egg suffer from its fumes...